![]() Most salient is the fact that in a twelve-minute audiovisual essay only one minute (7:06 – 8:16) plays actual video – the rest of its running time is filled with still images, like traditional presentation slides, and voice-over narration. It is noticeable, however, how Bordwell’s vast teaching experience, through its traditional forms of analytical practice, influences the technological and argumentative properties of the video. This is unsurprising, given Bordwell’s established scholarly position and academic qualities within the field of Film Studies. The aesthetically sparse Constructive Editing in Robert Bresson’s ‘Pickpocket’-video is a superior example of formal analysis exerted in video. The aesthetic and rhetorical range of videographic formalism is best found in two videos on opposite sides of the spectrum: in David Bordwell’s scholarly composed Constructive Editing in Robert Bresson’s Pickpocket (2012), and in the aesthetically embellished What is Neorealism? (2013) video by Kogonada. It breaks up into roughly two kind of practices: videographic formalism, and videographic criticism. 1 T06:10:36-08:00 Videographic analysis 13 plain T00:13:49-07:00 This category offers what is arguably the closest audiovisual alternative to the traditional written essay or research paper.plain T03:46:46-07:00 Critical Commons 2012 Video Constructive Editing in Robert Bresson’s Pickpocket David Bordwell Miklos Kiss bab68bf9457e82557cb440971c8c3307eac46327 This page is referenced by: ![]() Film Studies in Motion : From audiovisual essay to academic research video Main Menu Introduction Chapter I: From Scribe to Screen Chapter II: Current Practice Chapter III: Closing the Gap Final Remarks References Thomas van den Berg 05debbe0c938b9e7170e68167598b10193a9540e Miklos Kiss bab68bf9457e82557cb440971c8c3307eac46327 Constructive Editing in Robert Bresson’s Pickpocket 1 T03:46:46-07:00 Miklos Kiss bab68bf9457e82557cb440971c8c3307eac46327 8115 1 Constructive Editing in Robert Bresson’s Pickpocket. Please enable Javascript and reload the page. This site requires Javascript to be turned on. ![]()
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![]() Samsung’s latest generation PRO Plus and EVO Plus microSD cards support an enhanced video speed class rating of V30 and an application performance class of A2 to enable high-quality content capture on a wide variety of consumer applications, from mobile devices and action cameras to drones. With a 10-year limited warranty, added durability and up to a half-terabyte of storage capacity, Samsung’s new memory cards provide ample storage for 360-degree photos, hours of 4K UHD helmet camera and aerial drone video capture, and more. The EVO Plus cards offer up to 1.3 times faster performance than the previous generation at 130 MB/s, making them ideal for both enthusiasts and casual users who want dependable and responsive performance for day-to-day usage. ![]() Optimized for professional use, the new Pro Plus microSD and SD cards provide lightning-fast read and write speeds of up to 160 megabytes per second (MB/s) and 120 MB/s respectively, allowing users to seamlessly capture 4K ultra-high definition (UHD) and Full HD (FHD) videos. “Samsung’s new suite of microSD and SD cards offer the faster speeds, increased reliability and enhanced durability today’s consumers and professionals need, as well as the ultra-high performance every user wants.” “Professionals and consumers of all kinds want memory cards that make it easy to save and retrieve data while also knowing that their valuable images and video files are protected,” said KyuYoung Lee, vice president of the Brand Product Biz Team at Samsung Electronics. Samsung Electronics America, the leader in advanced memory technology, today unveiled a comprehensive new lineup of memory cards, the PRO Plus and EVO Plus microSD and SD cards, designed for professional and enthusiast photographers, videographers and content creators. ![]() Exceptional read/write performance and enhanced durability enable professionals and content creators to store and play 4K UHD content with ease and confidence ![]() ![]() He's good looking, he gets invited to all the parties, and his peers worship the ground he walks on. When we drink, not even our hearts are sober.” Drunk people are prone to saying things they don’t mean and often don’t even remember the next day."Can I tell you a secret? I like talking to you," Nicholas Clairmontsays, “So does a drunk mind speak a sober heart? No. In many cases, people are more vulnerable to say things they normally wouldn’t when they drink because their brain is not in the right state of mind, but I think that alcohol is not to blame. You are responsible for knowing how much alcohol you can consume to still be functioning and coherent to what you are doing/saying. I hate when people give the excuse, “Oh it was because I was drunk.” I believe that you are to blame for your actions. There is no way you could really study if someones drunk words were sober thoughts. The experiment in this case would be ridiculous you would probably have to get people to take a lie detecter test ask them a series of questions and then get them intoxicated to some level and make them take it again. I also agree to an extent that “drunk words speak sober thoughts.” But as Julia said, I don’t know how one could test this either. Post navigation Previous post: ← Breakfast and Academic Performance Next post: Do children in the foster care system do worse in school? → This entry was posted in Uncategorized on Septemby Emily Peacock. “”A Drunk Mind Speaks A Sober Heart.” Really? | Big Think.” Big Think. ![]() Regardless, I firmly agree with the idea that sober thoughts are drunken words, even if science thinks otherwise.Ī quick side note: months after Mel Gibson’s anti-Semitic rant, Gibson reportedly “checked himself into an undisclosed rehabilitation program” (CBS News). Others may feel more relaxed and comfortable when meeting new people. ![]() Some have the bravery to release secrets in other (sober) situations would be better left unsaid. For some, alcohol works as a megaphone from the brain to real world. In Gibson’s case, I believe that in his mind he truly believed Jews were responsible for each major catastrophe he had listed, and, in every aspect of the word, is in fact an anti-Semite. Beer does not have the power to make someone fall madly in love with someone they’ve known for year. Vodka cannot force a person to hate a certain religion or race. Gibson, alcohol does not have brainwashing capabilities. Instead, he lead the public to believe that alcohol had poisoned his mind, leaving him with these nasty remarks. Gibson, however, claimed that he was not anti-Semitic, bigoted, nor was he an alcoholic. In 2002, actor Mel Gibson -in a drunken haze- “reportedly said Jews were responsible for all the wars in the world” ( CBS News), as well as other offensive and anti-Semitic remarks. ![]() Although it can be argued that alcohol has the capacity to make one fearless and ignorant, “it does not simply tear down our inhibitions and let loose desires that were already there” (“A Drunk Mind Speaks a Sober Heart” 14).ĭespite these arguments, I feel obligated to disagree with the idea that alcohol is in fact not a truth serum. is the part of the brain most responsible for reasoning and judgement” (“A Drunk Mind Speaks a Sober Heart” 13). From what they do understand, scientists have concluded that “alcohol affects the hippocampus (memory center), which is why we black out, the motor cortex, which is why we stumble, and the neofrontal cortex. So far, scientists have only come to understand a small portion of our brain. We’ve all heard the phrase “drunken words are sober thoughts”, but is there any real truth behind it? “Just another night in college,” you might think to yourself. He/she sounds a little intoxicated and begins to pour his/her heart out to you over the phone, revealing that he’s/she’s liked you since the fifth grade. It’s 2 in the morning on a Friday and you get a call from one of your closest friends from back home. ![]() |